By working specifically with the site’s particular terrain and flows, a sensorial exchange is generated between dancers and the elements. As the mylar inflatables activate through the forces of wind, rain and humidity they assume a kind of presence, motivating the dancers to sense, watch, herd, and cajole their movements. The wind becomes the choreographer as a landscape blending performers, objects and terrain emerges in felt time, where presence and place resonate in a continuously negotiated relationship.